Super Colossal

Pecha Kucha Volume 12

Wednesday, 29th July 2009 permalink

Pecha Kucha Sydney Volume 12 is on Thursday 6th August!

This time we will be holding the night at Carriageworks, the excellent performance
venue in Redfern which means that you will all be seated comfortably and will be
able to see and hear all the action…

We have an great lineup of creative peoples and space is limited so please
arrive early or on time to ensure you get a seat.

Tickets may be purchased online from Ticketmaster here. Spots are limited, so I recommend you book to avoid disappointement…

pecha kucha sydney volume 12

See you there.


Attaching Things to Your Vehicle With Velcro and Appropriate Parking Angles on the Surface of the Moon.

Wednesday, 15th July 2009 permalink

lunar rover operations handbook

I love the legibly mechanical character of early space exploration. When the future still involved rivets. The Lunar Rover Operations Handbook exemplifies this period, detailing the workings and running of the vehicles that were used to roam the surface of the moon. When the absolutely incredible act of driving a motor vehicle on the surface of an extra-planetary rock orbiting the Earth is described as a series of bullet point instructions for changing a battery, or putting on a hand break, the sublime act approaches the everyday via flowchart.

Velcro, for instance, seems to have played a large role in the operation and deployment of the LRV. Velcro. I know that velcro is a space-age material in so far as it seemed quite possible at one time that it might replace the shoelace, but application in holding things together in space, on the moon, makes extra-planetary exploration disarmingly tactile.

lunar rover operations handbook

Astronaut forms loop by placing cable against console velcro and pressing the velcro strap onto itself after covering the cable.”

And the thought that astronauts might carry bags around with them is similarly commonplace. But where will I keep my stuff? You can put your bag here. Under the seat. Don’t worry, it has ‘stiffeners’ so your stuff won’t get crushed. Cool, thanks. Over.

Of course this is an operations manual and not a construction document but I find notations such as “Spring” and “Bag Stiffener” delightfully banal in this context. Like velcro, a spring is something located in the back of a craft draw, not the moon.

lunar rover operations handbook

And finally, parking codes on the moon have different criteria to here, with the sun playing a significant role in the orientation of parked vehicles as we learn in Section 5.2

5.2 Parking Limitation

To achieve proper thermal control of the LRV and stowed payload during between EVA parking periods, the LRV must be oriented per figure 5-2. Parking the LRV outside these limits will result in display and control component overheating or LCRU overheating. There are no orientation constraints imposed on short term parking during EVA’s.”

lunar rover operations handbook

All images taken from the Lunar Rover Operations Handbook, Doc. LS006-002-2H, Prepared by the Boeing Company, LRV Systems Engineering, Huntsville, Alabama, April 19, 1971

lunar rover operations handbook

City of Sound and BLDGBLOG at the Australian Institute of Architects

Monday, 13th July 2009 permalink

Dan Hill! Geoff Manaugh! Talking at Tusculum tomorrow night!

City of Sound and BLDGBLOG are two of the best architecture and urbanism blogs on the planet, and those that are regular readers of their work will know that it promises to be a provocative and enlightening evening.

(ignore the hasty image below… The date is Tuesday 14th July)

city of sound and bldgblog to talk at the australian institute of architecs

SANAA at Sherman Gallery

Friday, 3rd July 2009 permalink

An installation by SANAA opened at Sherman Gallery in Paddington last night. The work is comprised of two of SANAA’s flower shapes made of acrylic sitting in the gallery space. As a demonstration of the spatial effects of bending transparent materials and the examination of personal space, privacy and publicness it is quite effective.

It is at ground level though, where the edge of the acrylic inscribes a thin white line on the concrete floor and there is a slight shift in light level within the curves that the clarity of the linework becomes clear, defined by weightless walls.

sanaa at sherman gallery
sanaa at sherman gallery
sanaa at sherman gallery
sanaa at sherman gallery
sanaa at sherman gallery