Sketch models for a new project in Ashfield. Alterations and additions to a brick cottage.
Models by Erin.
Sketch models for a new project in Ashfield. Alterations and additions to a brick cottage.
Models by Erin.
Junkjet is the closest physical simulation yet of my browsing of the internet. It is as though someone took a snapshot of my newsreader on a given morning and turned it into a print journal — here are the excellent and pithy articles by Sam Jacob, some data visualisation projects, a project by Maynard this time the suburb regurgitating robot dogs, something written in German with pleasant diagrams, building typologies as D&D character sheets, and some project where google map markers are built at 1:1. Temporary tattoos of a cement mixer with wings are inserted into the front cover and folded into the back is a mock broadsheet, the ‘junkancial times’.
Junkjet — the “Fanzine for Electronics and Aesthetics” edited by Asli Serbest, Mona Mahall and Gerd be Bruyn at the University of Stuttgart — is an exuberant publication, full of intriguing projects and essays. But what sets it apart, for me, is this uncanny sensation that reading through it feels like wandering the internet.
Much like a jaunt across multiple websites, there is no visual cohesion linking one item to the next; projects appear without context or explanation, are absorbed by the retina, and moved on from. Yes, this may be a common trait of zines in general, but in this case, the Technicolor approach and subject matter seem intricately tied to global online chatter than the cut and paste street press.
Considered as my personal real world rss reader, Junkjet then stands in contrast to other efforts of collating material found online like prss release and Things our Friends Have Written on the Internet where online content from disparate sources is similarly repurposed as a cohesive document. These efforts have always been attractive with their exotic non-webstandard typefaces and layouts freed of the constraints of blogging engines and yet I have found them to be a sticky format. Prss release (which is also great) for example is something that I continue to read on a screen in a web browser rather than printing out and reading on a metro, the lack of hyperlinks occasionally reminding me that I am not operating this machinery as one should.
Curiously, Junkjet’s masterful reformation of the online experience offline is not so successful when put in reverse. Its website is determinedly ‘anti’; all animated gifs, scrolling text and flashing lights. I get it, it is subversive. But it is not pushing the medium as hard as its print counterpart. I am not sure what would be more suitable (a del.icio.us bookmark page? An rss aggregator? no website, just a paypal portal?) but this is a minor point as the actual journal itself is so refreshing.
Looking forward to issue 3!
The Sydney Morning Herald has been getting good mileage today out of the NSW State Governments planned western metro. The proposal is to run a metro out to Parramatta with increased density along the way.
Never mind that the metro is as likely to get off the ground as the numerous public transport strategies of the past few years, and whether or not a western metro is a good or a bad idea, it is the the imagery of this reporting that I find intriguing — architectural photomontage as alarmist political tool.
The front page of the offline paper (for the uninitiated, these are available for viewing in cafes while you wait for your coffee) features a large photomontage of a non-descript 80’s commercial building towering over some innocent trees and the Leichhardt ‘Marketplace’:
The impression being that the proposed densification is absolutely going to monster everything you love about your city. Look at the disrespect they have for newspaper design guidelines! Take that you stupid headline! You are no match for my height!
And below the shiny blue symbol of developer greed — an innocent clocktower! To the left of the image, the subhead reads “Heritage Suburbs Targeted”. Clocktowers signal heritage right? Never mind that this particular clocktower was quiet possibly built after the building that rises so arrogantly behind it. Understand this, poor clocktower: Time. It marches on.
In the online version of the article, the image has been cropped. Maybe the CSS was too difficult to code so that it popped out of the confines of the online layout. But then maybe by cropping the top of the tower it grows taller, its unseen height continuing to a height where it will overshadow your backyard.
Then, mid-morning, the Sydney Morning Herald added an updated version of their montage to the front page of smh.com. This time with with additional vignetting and a headline over the top of the image. The image now rendered far gloomier and the obfuscation of the top of the building again suggesting that this corporate monolith will disappear beyond the limits of human vision. Into the vast wasteland of the sky.
The choice to use a lifeless commercial building over residential buildings (as is actually proposed) further complicates the message. Obviously the blank face of some accounting company headquarters is far easier to despise than people’s homes.
In this instance, a graphic representation of the proposed areas showing the increased density over a map of the metro line with accompanying height diagrams would have been a far less politicised means of reporting this piece of news and would have informed the readership with meaningful data. Instead the graphic material adds nothing substantive to the discussion past appealing to reactionary nostalgia through stock visual cliches.
Some excellent social housing in Chile by Elemental.
The housing consists of a series of row houses with open space adjacent to each dwelling. While in its virgin state the housing is appealingly porous and upright, importantly, the strategy here embeds opportunity into the housing, pre-empting and encouraging an entrepreneurial policy of its occupants. The open space adjacent to each house may be built on by the owners, increasing the life-span of the house as families grow while also increases the asset’s capital.
The architects tell us:
“We think that social housing should be seen as an investment and not as an expense. So we had to make that the initial subsidy can add value over time. All of us, when buying a house expect it to increase its value. But social housing, in an unacceptable proportion, is more similar to buy a car than to buy a house; every day, its value decreases.” #
Alongside the economic stimulus, there is also an understanding that cities tend to accumulate rather than appear and over time, the slow accretion of additional floorspace within this framework has led to a development that has more in common with the organic growth of cities than is typical of mass housing projects.
Via Archdaily where you will find many more images.
Random postings from our library
